2010年，李果樺開始用廢棄的舊木料製作家具，為要從制式工業材料中跳脫出來。藉新設計來喚起台灣檜木的老靈魂。受風格派與杜象現成物雕塑的影響，作品中可以看到原有舊漆及框料形狀的保留，李果樺想做一件有故事的家具，隱喻舊時光的歷史片段，讓家具自己悠悠訴說著生命的故事。
In the 2010s, when the designer began making furniture made from cast-off scrap wood,
Lee’s favored material was a radical departure from industral materals endeavors.
His aim to reinvigorate found Taiwan Hinoki with a spiritual life was informed by redesign.
Influenced by De Stijl and Duchamp's found object sculptures,
Lee seek to build narrative wooden furniture, keep original painted and form,
that implied original content to historicize debris, more mysterious narrative life.
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